SHOW REVIEW: The Roots, Common :: 09.30.04 :: The Trocadero :: Philadelphia, PA [B.Getz on JamBase
Common and The Roots know how to rock a party. Case in point: the Kool Nu Jazz Fest, on September 30 at The Trocadero in Philadelphia.
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Author: B.Getz
PHAREWELL MY PHRIEND: Phish Says Goodbye. Coventry, VT. Aug. 2004 [B.Getz on JamBase]
B.Getz’s swan song for the Phish from Vermont, written in the aftermath of their “farewell” festival Coventry, in August 2004. Originally published on JamBase as part of a collaboration with Aaron Kayce, Aaron Stein, and Deanne Herman.
Read moreNEW AND IMPROVED BROTHERHOOD OF GROOVE- 2004 (B.Getz on JamBase)
Hailing from Uptown New Orleans, the Brotherhood of Groove collective has taken the heat of the Bayou out on the road. Midway
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RAGE AGAINST THE MACHINE’S LAST STAND- Live at Grand Olympic Auditorium [B.Getz on JamBase]
For a little over seven years, Rage Against the Machine was the world’s most dangerous band. Their ascent was arduous and their
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RANA AND THE DUO TAKE RESIDENCY IN PHILLY (B.Getz on JamBase)
The good people over at the new Pontiac Grille on South Street have decided enough is enough and it’s time for a
Read moreBLISSING OUT WITH PHISH IN MIAMI NYE-2003 (B.Getz w/SuperDee on JamBase)
“And just when I thought I was out… they pulled me back in!” – Michael Corleone, Godfather III Warning: We
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KARL DENSON’S TINY UNIVERSE | 10.11-12-13.2003 (B.Getz on JamBase)
The sexy black groove machine that is Karl Denson’s Tiny Universe trampled through the East Coast trifecta of Philly, Manhattan, and our
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High Sierra Music & Freedom Fest 2003- (B.Getz and Staff- JamBase)
Photo by Dave Waldorf High Sierra Music Festival of 2003 again exceeded expectations. If you weren’t there, you might perhaps be
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ALBUM REVIEW: Garage a Trois: Emphasizer- 2003 (B.Getz on JamBase)
Garage A Trois has finally crumbled under the immense pressure of public demand, and thankfully released its debut studio effort. Titled Emphasizer(Tone
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JAZZFEST 2003 SECOND HALF BLOW OUT (B.Getz on JamBase)
JazzFest arrived once again, the savoir from the monotony of winter, precursor to the promise of summer. Each year, the gathering reinvents itself, the form taken by its inhabitants and the experience lassoed in ways seldom seen other times of year. As intoxicating as the Crescent City is, its greatest attributes are its food and music, and to overindulge has become custom.
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